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Zonker46167 April 29, 2023 Comment

Flashcards are effective because they are founded on the principles of rote and memorization. Looking for the best flashcards app? There are many flashcard apps on the App Store and Google Play Store that makes studying easier. Flashcards are one of the excellent study resource provided you know how to use them to your advantage.

Flashcards are effective tools for both learning and studying when they’re used correctly. Whether you’re cramming for a test or learning a new language, flashcard apps help you study smarter, not longer. Whether you’re a student or a life-long learner, flashcards are a terrific way to remember information and keep the mind sharp.

A flashcard app is an incredibly versatile study tool. Encouraging students to summarize complex topics into concise flashcards is one of the best high-level mental activities that learners can do to cement their understanding of key ideas. Flashcards offer a potentially very useful tool for students during their revision sessions.

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Here are the best flashcard apps that you can use to make your own flashcards or borrow flashcards created by other educators.

Save all is a simple, cross-platform flashcards app. This app uses Artificial Intelligence (AI) to create questions and quiz you on keywords and facts. Save all is entirely free to use.

You simply create decks of flashcards and type in the key facts or statements that you want to learn. Then, the Save All algorithm will automatically highlight keywords in green (which you can easily change if you need to) and come up with questions associated to that phrase.

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You can also organize your flashcards into folders. To see how much Save All thinks you remember of a deck just go to the deck and click Score.

Tinycards is one of the popular flashcard app that uses the same spaced repetition learning techniques as Duolingo, but applies it to a much wider variety of topics from country capitals and history to constellations.You can find, create, and study flashcards online or in their mobile app.

A powerful flashcard app that uses spaced repetition to make your studies more efficient and effective. Duolingo's new app Tinycards will help you learn a lot more than just languages. The app creates flashcard based lessons on a number of topics to help you memorize everything from Spanish vocabulary to world geography.Tinycards like most apps lets you create your own flashcards and add a text or an image to the flashcard. Add as many cards as you’d like to the deck. You can keep your deck private or share it with the world.

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The app includes memory strength bars which the user has to keep full by reviewing certain cards periodically to refresh their memory. Mastering some cards will unlock new levels, as well, utilizing the so-called gamification of learning to encourage users. It allows the users to make their own cards and share it with friends.

Quizlet is one of the best free flashcard app for learning on Android and iOS devices. It is used for revising vocabulary and provides thousands of flash cards that students can use to study vocabulary in many different languages.

With the Quizlet app, students can search an online database of more than 13 million user-created flashcard sets on a wide variety of topics. This app is free, and the content varies from highly useful to useless. The app is for reviewing flashcards and students can use it to create their own sets of flashcards. It's especially good for language learning, but it's usable for other topics as well.

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Quizlet makes it simple to create your own flashcards, study those of a classmate, or search our archive of millions of flashcard decks from other students. Quizlet is available on iPhone, iPad and Android devices.

Chegg Flashcards is another simple flashcards app for the iPhone. This app allows you to create your own flashcards sets or access pre-made sets from Quizlet. It also allows you to track your results, see your score, and track your speed.

The app allows you to share notes and send flashcards to one another for collaborative studying. It also allow the users to copy and paste formulas and equations onto your flashcards. This flashcard app is a great way to memorize important math and science concepts. Flashcard app helps students to prepare for an important exam like the SAT or ACT.

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Studyblue is one of the best flashcard app that allows you to create, study and share your own digital flashcards for free. You can customize your study materials with images and audio.

The app lets you search flashcard sets uploaded by students and teachers around the world. Studyblue flashcard app helps you to easily review your course notes anytime, anywhere - right from your device. It also helps the students to prepare for upcoming tests and quizzes.

Cram is the number one online flashcard resource and have a wide selection of flashcards for you to study, memorize, test yourself on, and more. Learn a foreign language, practice your multiplication table or prepare for your MCAT by memorizing every bone in the body.

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Cram is a basic flashcard app that offers a variety of ways to study your cards, including games. Cram is available for both iPhone and Android. You have the option to search the flashcard library, create new flashcards, view recently studied cards, and sort through your favorite cards. There are two modes: memorize and cram. In memorize mode, the user goes through each flashcard one time until they run out. At the end, the app provides a performance report. In cram mode, the user goes through each flash card until they get every single one correct.

AnkiApp is a simple, multi-platform flashcards app. It's compatible with Windows, Mac, iOS, Android, and even Linux. Anki App lets you make your own flashcards, on any device. Creating cards is as easy as typing what you want on the front and back of each card. Anki App seamlessly synchronizes to the cloud, so you can create flashcards on one device, and then study on another. It works on any computer running the latest Chrome, Safari, or Opera browsers.

Similar to other flashcard apps, you will be able to add images and sounds to your flashcards to fully integrate your learning materials in a way that's helpful and fun. Whiteboard feature lets you doodle, solve problems, and share ideas for learning that's always hands-on.

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A flashcard app that uses spaced repetition, though you’ll need to upgrade to the Pro version to add images and sounds to cards. Brainscape has a vast number of card decks available, and the service is available to schools and businesses. If your organization wants its teams to develop their skills, this is the app to choose.

Brainscape seems like a fairly simple flashcard app on the surface but offers a combination of certified classes and user-generated sets. The quality is high, but not all of them are free. Some are effectively try-before-you-buy, and you can only unlock the full set through a subscription. You can build and share your own, as well.

Flashcards Deluxe is an easy to use, yet powerful flashcard app which you can use to study just about anything you want. This good flashcard app is for those who want a full-featured flashcard app with organizational, audio and backup features.

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Flashcards Deluxe provides two study modes, a searchable list of cards, text-to-speech in 18 languages, and integration with Quizlet.com. With simple navigation, custom text options, a card-creation feature, and over 10, 000 downloadable cards, you cannot go wrong with Flashcards Deluxe. You can also try before you buy with the free Flashcards Deluxe Lite which starts you off with four decks with six cards each.

AnkiMobile is a mobile companion to Anki, a powerful, intelligent flashcard program that is free, multi-platform, and open-source. Anki has a niche following among the academic, scientific, and technical communities because it supports LaTeX, a specialized document language.

Anki will handle decks of 100, 000+ cards with no problems. You can embed audio clips, images, videos and scientific markup on your cards, with precise control over how it's shown.

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MemoStack is a flashcard maker that help you memorize more things with less effort. It works great for test preparation, language learning, and more. This app allows you to create your own flashcards with text, images and learn effectively with spaced repetition method.

If you are someone who is looking for an app that can help you in creating flashcards to study, Flashcard Maker create, study, and learn app will do wonders for you.Besides, you can create flashcards for many different subjects and access study materials for your classes.

I hope this guide has helped you find a flashcard app to improve your studies. These apps could really help for examining and enhancing memory power through practice things again and again.

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Zonker46167 April 29, 2023 Comment

It may seem like a lot for a digital-only artwork. But in some ways, NFTs are a continuation of collecting as usual

O n 11 March, one of the art world’s signature can-you-believe-it moments made global headlines: a digital-only artwork sold for more than $69m, the third highest price ever paid for an artwork at auction. It was a digital collage by the artist Mike Winkelmann, known as Beeple, who until October had never sold a print for more than $100.

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This sensational auction came on the heels of simmering interest in “non-fungible tokens”, or NFTs, which finally boiled over into the annals of art auction houses. NFTs are unique assets verified by blockchain technology; as with cryptocurrency, a record of who owns what is stored on a decentralised public ledger of sorts. Thus NFTs function like a digital certificate of authenticity that can be attached to all manner of things, virtual or physical. Mostly now, they are being used to monetise digital assets such as audio files, videos, Gifs, tweets and even virtual versions of sneakers; 621 of them recently sold for a combined $3.1m.

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It’s worth noting: buying an NFT does not necessarily mean you are buying the copyright to something, or even the only digital copy; many NFTs are minted for videos or images that are easily accessible elsewhere on the internet. (Even images of Beeple’s record-smashing work are visible all over the web.) But an NFT confers a particular kind of ownership rights – it’s like purchasing not a particular thing, but your ownership of that thing.

The NFT-meets-art-world craze is the latest in a series of blockchain-backed experiments around the authentication of property and digital art on the internet. NFTs are a way for artists working in new technologies to make money in a space that has been historically difficult to monetise. Viewed less generously, the whole ordeal is a fad for the rich, who are speculating with crypto on things no one needs or perhaps even really wants, possibly as a way to quickly flip the assets for more crypto. Or, as Jacob Silverman put it in the New Republic: “[NFTs] are title deeds for increasingly useless crap.”

The NFT craze strikes me as fascinating mostly as a continuation, in a new form, of the strange practice of collecting in general. The collector is fetishised in the art world – and in literature about art – as a disciplined figure with a keen eye who can spot beautiful things before anyone else, someone who is at once a connoisseur and a kind of entrepreneur. The collector’s impulses drive many of the mechanics of what we think of as “the art world”: auctions and sales, fairs and biennales, loans and donations to museums. Indeed, much of the world’s art is in private collections, though we have no idea how much, nor any way to begin to tally it up. Collectors accumulate their troves of paintings and sculpture and photographs for all kinds of reasons – love of art, love of the game of collecting, love of money. (Art is often spoken of as a good investment, one that always appreciates.) And perhaps the most crucial aspect of collecting is possession: the sense that you are buying something that is yours and yours alone.

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The concept of ownership has become so embedded in our conception of artwork that the idea of digital “collecting” has long been vexed. Is a digital collection just a series of image files online, pixelated? Couldn’t someone easily “steal” your Jpeg just downloading a copy elsewhere? Is there any point, if you can’t show your prized painting off on your physical wall? NFTs hardly answer all of these questions, but they manage to provide a clear enough articulation of digital ownership to spark the interest of curious collectors and speculators. This new concept of digital possession, however murky it may actually be, is worth quite a lot of money.

Thus the collector’s impulse has finally found its way to the virtual realm, now that the point is less the virtual objects themselves and more the ownership of them. Some people are buying for the crypto gains, and some for the novelty, and maybe a few for the art itself. Artists will have a chance to experiment with new forms, and maybe even poke some fun at the absurd market dynamics. (It would hardly be first time: I am thinking of Yves Klein, the French artist and stunt master who sold documents certifying ownership of part of the Zone de Sensibilité Picturale Immatérielle, or empty space, in exchange for gold; then, if the buyer wished, they could burn the check and Klein would throw half the gold into the Seine.)

But in my view what’s interesting about the dynamics of NFTs in the art world are that, so far, they don’t represent much of a departure at all from big business as usual. NFTs allow the mechanics of the art world to turn once again back towards the collector’s impulse. More than the art or the object or the virtual thing, possession is the point.Non-fungible tokens are digital assets whose origin or ownership has been authenticated by blockchain technology, much like a digital "signature." Pictured: An NFT selling digital art. Screenshot via OpenSea.io

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A 10-second video created by digital artist Beeple recently sold for $6.6 million in an art auction. But what made this one video different from any number of copies or “forgeries” on the internet that are otherwise indistinguishable from the original?

The video itself is a “non-fungible token” or NFT, a digital asset whose origin or ownership has been authenticated by blockchain technology, much like a digital “signature.” One NFT cannot be exchanged for another NFT, which makes each one uniquely valued.

While this is making it easier to assign monetary values to digital art, critics like Blake Gopnik are afraid this will replicate a problem that’s been affecting the physical art sector for generations: valuing art for its authenticity but not for the art itself.

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“ Morning Report” host David Brancaccio spoke to Gopnik about the issues with authenticity in the digital art space. The following is an edited transcript of their conversation.

Blake Gopnik: No, it’s the way people have been thinking about art for about 500 years. We’ve all been completely obsessed with who makes a work of art and proving that it’s the real thing. You know, you want your Leonardo [da Vinci] to be by Leonardo, not to be by a follower, even if you love how it looks, when it’s by a follower. People who buy NFTs, or NFT-based art, just want to know that they’ve got the real version of the rainbow cat video that a million other people just have copies of. But, of course, they’re not copies, they’re exactly the same thing. So people are spending all this money just on these certificates, on these non-fungible tokens, that tell people that you’ve got the real thing. But the real thing isn’t real in any real way.

Brancaccio: I mean, one of the things here through my non-critic eyes is if you go see the “Mona Lisa” in the Louvre in Paris, you can see brushstrokes, so the original is different from seeing the copy in the art book. In the case of this authenticated video, there is no difference looking at the original or a copy.

Is Blockchain Technology Being Used In Digital Art For Provenance And Authentication Of Digital Artworks?

Gopnik: Yeah, it’s completely insane. But, again, that’s been happening for a long time in the art world, too. I mean, people produce prints, some of which they sign, and those are worth a fortune, and some of which they don’t sign, and those are worth much, much less or nothing at all. So the art world has always been weird about this. It’s always been trying to establish authenticity for objects that really aren’t that different from other objects. But this is just taking it to a new level where your video is absolutely the same as someone else’s.

Now normally in the art world, what you do is when you’ve got, say, a work of video art that you’ve got in a DVD, is you make sure that you don’t release it in a million copies. You just make five copies, and five collectors can own them, you know, for whatever, $100, 000 each. But in this case, people are buying these things because they’re already famous, because they already exist in thousands and thousands or millions of copies. So it’s a really weird reversal. If you’re buying the Nyan Cat, this cat that’s dragging a rainbow after it, you’re only buying it because it’s so famous already, because so many other people actually own it. So it’s a very weird, really absurd, kind of ownership.

Brancaccio: And here we are talking about the system of authenticating the work, but not the work itself. This 10-second video by Beeple.

Nft Blockchain Drives Surge In Digital Art Auctions

Gopnik: Yeah, video of a kind of putrescent corpse of Donald Trump lying on the ground. You know, no one in my world, no one in let’s call it the “serious

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Zonker46167 April 29, 2023 Comment

Light distance and ranging (lidar) technology has been used to acquire high-resolution elevation and return pulse intensity data for western King County and the southwestern portion of Snohomish County.

This data set is a primarily a combination of the Puget Sound Lidar Consortium (PSLC) data collection effort for Vashon Island and the Seattle-area (2001–2002), and a comparable collection for the remainder of the county and the WRIA 8 portion of Snohomish County through King County’s ESA/SAO Project from 2002 - 2003. Selected data frommore recentelevation mapping projects, including new Lidar data, have been incorporated into the master elevation database. See the Project Area map for project area boundaries phases. Even though the master elevation database represents the most recent data available, in areas where data sources overlap, all versions of the elevation data are stored at the 7500 ascii tile level.

Multiple data products include the Digital Ground Model (dgm) ascii, tin, lattice and hillshade data sets; Digital Surface Model (dsm, aka top-of-vegetation) data in the same formats, plus supplemental Last Return and Intensity data.

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The PSLC’s extensive cooperation in this data sharing arrangement has allowed us to develop a seamless digital elevation database, along with related derived products, for the entire area of interest (AOI).

There are six primary data products developed from the lidar acquisition projects, some in more than one data format to help meet a range of business needs and software applications.

There are sixteen unique lidar data file sets available from the Spatial Data Warehouse. Some of these products are available only at a single tiling level but the key elevation data sets are provided in more than one format to assist in meeting a range of business and analytical needs. Please contact King County GIS Client Services for assistance in determining the correct data set and format for your requirements.

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The complete county project area and detailed level of the elevation data requires significant storage capacity. Storage requirements vary depending on the data set of interest and the format in which it is stored. This summary table provides a general overview of the data sets, their overall size and individual file size specifications.

To supplement the detailed elevation data to be provided by lidar, Digital Elevation Models (DEM) from the USGS National Elevation Database (NED) have been downloaded and added to the Spatial Data Warehouse in order to centralize all elevation data to a single locale. The USGS data covers the entire Puget Sound lowlands at two different resolutions and is generally the best elevation data available outside the lidar project areas. In addition to the elevation grids, the data is available as hillshade images and as a 500-foot index level contour set. The lower resolution data is provided as a single AOI piece, while the higher resolution NED data is provided as county-by-county pieces. State-wide elevation data is not online though a hillshade image covering the entire state is available.

Users with access to the King County Spatial Data Warehouse (i.e., Plibrary2 and Plibrary3) can access the elevation data in a range of formats and tile sizes. All lidar-derived and USGS elevation data is found in Plibrary3 at \\\\gisdw\\kclib\\plibrary3. King County users are encouraged to map their ‘J’ drive letter, if available, to \\\\gisdw\\kclib\\ which will allow them access to all three libraries of the Spatial Data Warehouse from a single drive letter.

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In addition to the elevation data stored in Plibrary3, this library will serve as the central point for all King County enterprise image and raster data. All data will be organized into a standardized tiling scheme with a structured naming convention to make data access easier and more informative. A more in-depth discussion of Plibrary3 and the tiling/naming conventions can be found in "Plibrary3 Reorganization" (341 Kb Word Document). The tiling and naming convention is summarized in the Excel spreadsheet Plibrary3 Naming Convention Codes (33 Kb).

Internal GIS users are reminded that they will find that most of their data needs are met by accessing data prepared at the township-range tile level (idxptrmbr), found at \\\\gisdw\\kclib\\plibrary3\\idxptrmbr

KCGIS Center Client Services will handle distribution of the lidar DEM data for King County. Data from both the PSLC and King County areas is considered public domain data and can be released without any licensing restrictions. There may be some cost for media production and delivery. Recipients and users of the data are reminded to review all accompanying metadata for use restrictions and the discussion of data accuracy and validity.

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Through agreement with the PSLC, King County and the PSLC will serve as repositories and distributors of both lidar data sets. As released through King County, the standard distributed set will be an ArcInfo Grid Export file in Zip file format and an accompanying zipped TIFF hillshade image. Both the Digital Ground Model (DGM) and Digital Surface Model (DSM) can be provided. This is comparable to the data suite released through the PSLC, though a different tile scheme is used. King County data will be delivered in a township-range tile scheme as described in the following metadata –

As a rule, King County does not redistribute third-party data such as the USGS National Elevation Database. Users are encourage to visit the the USGS Survey on the web for free downloadable data, including elevation data.

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Zonker46167 April 28, 2023 Comment

In a language all their own — with rocket ship emojis and unbreakable “diamond hands” — these online investors insist the struggling video-game retailer’s stock is about to soar even higher than last week’s spike, and urge one another to hold on tight.

But another big drop on Tuesday — GameStop’s shares have fallen 72 percent over the last two days — is testing their stomachs.

Tigran Avetisian, 30, a chemical engineer outside Boston, put about $40, 000 into GameStop in the past two weeks, including $20, 000 from his individual retirement account when the price was $275 a share. He’s down $10, 000 after Tuesday’s plunge.

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“For a little while, it was just free money for everybody, ” said Mr. Avetisian, who was up $80, 000 at one point and still hopes to turn a profit when he decides to sell. “But part of the stock market is knowing when to get out.”

The GameStop roller coaster has wiped out wealth almost as fast as it created it last week. Tuesday’s 60 percent drop left the share price at $90, or about $14 higher than it closed last Monday, just before the rally really took off.

Since its peak of $483 on Thursday morning, GameStop’s shares are down 81 percent. On paper, that means $27 billion in market value has disappeared, much of it from the brokerage accounts of small retail investors.

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But many small investors — even some who caught the fever only last week — believe the stock will rally again. And even if it doesn’t, their personal losses will be an unimportant detail in a crusade against traditional Wall Street powers.

“If my entire position in GameStop went to zero, I’d be OK with it, ” said Gregory Lu, a 24-year-old law student from San Diego who posts on the WallStreetBets Reddit forum, where many users hope to use GameStop to stick it to hedge funds that bet against its shares.

“We’re not interested in so much the means we would get personally, ” he said, “but what we hope the rest of the world sees and what the hedge funds get as punishment for what they have been doing.”

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In the last week, Mr. Lu has spent about $2, 500 buying GameStop shares and $750 on AMC Entertainment, the movie theater chain. He was undeterred by GameStop’s fall, dismissing it as a blip before the price rises again. “I’m not worried about any kind of dips, ” he said.

On Reddit, where the WallStreetBets forum has gained more than six million users since the GameStop madness began, many amateur traders insisted that the share price was destined to reach $1, 000.

And on Tuesday, the billionaire Mark Cuban logged into the forum and encouraged users to keep holding the stock “if you can afford to.”

Everything You Need To Know About How A Reddit Group Blew Up Gamestop's Stock

Popular online brokers like Robinhood have restricted trading in GameStop and other highly volatile stocks, he noted, putting artificial limits on demand. Once those restrictions are lifted, “then we will see what WSB is really made of, ” Mr. Cuban wrote, using shorthand for the forum’s name. “That is when you get to make it all work.”

The online frenzy that has engulfed GameStop is, at its heart, a classic stock-market strategy of big Wall Street investors that has been embraced by retail investors. Acting en masse, they have bid up shares that other investors — in this case some hedge funds, including Melvin Capital — had bet against. Called a short squeeze, the idea is to put pressure on the short sellers, who had sold borrowed shares with the intention of repurchasing them at a lower price. The shorts would be forced to buy the rising shares to minimize their losses, accelerating the rise.

But there is an inherent tension between the twin goals for GameStop expressed by Reddit-based investors, pressuring the shorts out of the stock and trying to push the price to $1, 000: If the shorts are pressed into an unconditional surrender, it will bleed their demand for shares.

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There are signs that is happening: Short interest — the number of shares of a company held short — as a percentage of available shares of GameStop has declined sharply, from close to 60 percent in January to 34 percent on Monday, according to data from S3 Partners, a firm that tracks short-selling activity. That just means that hedge funds were exiting their short positions in GameStop.

“What happens after the shorts are out?” asked Brad Golding, a portfolio manager at Christofferson, Robb & Company, a private money-management firm. (Mr. Golding said his firm had no position in GameStop.) “Just from a technical standpoint, who’s left to buy? Nobody.”

For those who bought shares early on (or option contracts allowing them to buy shares at a low price), selling high means big profits. It’s still possible to make money if they miss the peak, but they can also lose if the price plummets before they can sell.

Gamestop's Stock Reaches Its Highest Price Ever Thanks To Reddit Having A Laugh

Spencer Anderson of Shoreline, Wash., an aquatics director at a Y.M.C.A. branch, put more than $10, 000 into GameStop and AMC last week. He has lost more than half of it.

“I am planning on holding for now, ” said Mr. Anderson, 25, who began to lurk on the WallStreetBets forum a week ago. “I will see how this volatility plays out today. But I might be liquidating at the end of the week or next.”

Knowing that big investors have lost at their own game, he said, “If I lose $6, 000, between that and everything that happened with the market, I wouldn’t regret it.”

Gamestop Stock Is Still Hot. What's The Cause Behind Its Latest Surge?

“I’ve had at least three, four guys confide in me that they’ve lost money and they’re never going to invest again, ” said Tobi Alli, an amateur trader from Bowie, Md., who last week bought 80 shares of AMC and 50 shares of Nokia, two other previously unremarkable stocks that have rallied as part of a rebellion against hedge funds.

Mr. Alli said he would have walked away with a tidy gain had he sold earlier, and now he’s down $800 on his initial investment. But he said he was not even thinking about gains anymore. Instead, holding on to his shares is a protest against the brokerages that have instituted certain limits or restrictions on trading of volatile stocks.

Mr. Alli, who owns a small multimedia company, is among those who believe that brokerages — like the one he uses, TD Ameritrade — imposed certain limits under pressure from the hedge funds that he and his fellow retailers have been trying to squeeze.

How A Reddit User And His Friends Helped Fuel The Gamestop Frenzy

“You know that you may go into it and lose, and I was ready for that, ” said Mr. Alli, who follows Twitter accounts that post WallStreetBets content. “But what I wasn’t ready to do was to lose based on manipulation from billionaire guys who are stopping people from doing what is their legal right.”

Ian Poppel, 23, a wildland firefighter in Winnipeg, Manitoba, invested $18, 000 — equivalent to an entire fire season’s salary — into GameStop over three days, just before the stock took off. He cashed out last Wednesday, a day before the rally peaked.

“I didn’t sleep, ” said Mr. Poppel, who started trading stocks as a hobby during the off-season. “I didn’t really eat those couple days. I was so stressed about how that trade would go.”NEW YORK, Feb 2 () - Bearish investors are using options to capitalize on a slump in shares of GameStop Corp (GME.N) by more than half their value on Tuesday.

What You Need To Know About The Gamestop Stock Trading Insanity

Put options, often used to protect against losses or position for declines in a stock's price, outstripped bullish calls in volume by a ratio of more than two to one on Tuesday, continuing a trend that has seen bearish derivatives bets on GameStop grow over the last week-and-a-half.

The videogame retailer's shares, which have seesawed wildly with hedge funds and other investors making or losing billions of dollars, were last down 56.3% at $98.33. They are now worth less than a quarter of their high of $483 last week.

The positioning marks a reversal from six straight weeks of GameStop calls dominating daily volume, as options bets helped fuel a 1, 625% rally in the video game retailer's shares in January that triggered heavy losses among some investors who had shorted the stock, betting on its price to fall.

Gamestop: How Reddit Amateurs Took Aim At Wall Street's Short Sellers

"People are putting on puts in order to profit from the eventual GameStop short squeeze to be over, " said Matt Amberson, principal at options analytics firm ORATS.

Some investors may be turning to puts as an alternative to shorting the stock, analysts say. Demand to borrow GameStop shares has subsided significantly in recent weeks but remains high overall, making it relatively expensive to short the stock.

Last week, implied volatility in GameStop - an options-based measure of how much traders expect the shares to gyrate in coming days - suggested daily moves of as much as 69% in either direction, according to Amy Wu Silverman, equity derivatives strategist at RBC Capital Markets.

Gamestop Doesn't Have A Blank Check After All

The run-up in volatility helped make GameStop options expensive, potentially putting them out of reach for some investors, said Steven

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Zonker46167 April 28, 2023 Comment

A video of a North Carolina beach house being dismembered by a voracious ocean was a viral hit this spring. But it won’t be long before the novelty wears off. As sea level rises and storm surges grow more intense, beach towns on every coast of the United States will soon be sacrificing more real estate to Poseidon. A 2018 study by the Union of Concerned Scientists found that more than 300, 000 coastal homes, currently worth well over $100 billion, are at risk of “chronic inundation” by 2045.

The matter of large swaths of deluxe real estate erected in harm’s way is not new. But as extreme weather events compound, the obvious perils of waterfront living are growing both more obvious and more perilous. The National Oceanic and Atmospheric Administration cited 20 different “billion-dollar weather and climate disasters” in 2021. The analytics firm CoreLogic counts more than 7.5 million homes with “direct or indirect coastal exposure and subsequent risk from coastal storm surge and damage from hurricanes.”

In the past half-century, American beach towns shucked the bohemians and the beachcombers, the drifters and the sun worshipers. The family that was once affluent enough to own a seaside cottage has grown up, grown very rich and moved into a turreted fantasy with commodified sea views. A few years ago, I asked an old-timer at the Jersey Shore why her town was bursting with people but the beach was strangely uncrowded. She told me that the new rich spend much less time by the water’s edge. “It’s all about the houses, ” she said.

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Indeed, it is. Barrier islands in Florida, North Carolina and New Jersey are situated a few feet above sea level. In many places, including the Jersey Shore and the Texas Gulf Coast, the land is simultaneously sinking as the water rises. Sanibel Island in Florida, a multibillion-dollar habitat for retired C.E.O.s, may be in its final decades before the Gulf of Mexico permanently moves in. The fabulous town of East Hampton on Long Island issued a report in April warning that on its current trajectory, the town will evolve into “a series of islands” over the next half-century. California beach towns from Del Mar in the south to Stinson Beach in the north are reckoning with an ocean poised to submerge them.

Beach towns have long kept their beaches plump by dredging sand offshore and pumping it onto eroded shorelines. Some $7 billion worth of beach replenishment programs, most under the auspices of the U.S. Army Corps of Engineers, have added sand and bolstered property values in some of the most exclusive havens in the United States. Federal taxpayers typically pick up two-thirds of the tab.

Beach towns on the Pacific and Gulf coasts have spent millions tapping offshore reserves, but the Eastern Seaboard has been the prime beneficiary of dredging. The corps has been engineering beaches in Cape May, New Jersey, for a century. Palm Beach County, in Florida, has had its beaches replenished more than 70 times. Many beach towns receive publicly financed sand and then turn around and charge the public to sit on it.

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Yet even the most highly subsidized towns can’t replenish a beach that’s underwater. In a land where the wealthy have succeeded in privatizing accretion and socializing erosion, what will happen when rising sea levels, combined with more violent storm surges, overwhelm beach real estate? As the water rises, private insurance is poised to grow increasingly elusive. Federal flood insurance through the Federal Emergency Management Agency is capped at $250, 000 for homes, not even one-tenth of the value of many houses in beach communities. With the federal insurance program billions in debt, FEMA is ready to abandon the most high-risk properties — if only Congress would let it.

Environmentalists and scientists have long called for “managed retreat” from shrinking coasts. But in politically fractured America, who could possibly “manage” such a retreat, and who would pay for it?

In New Zealand, an analysis of coastal erosion along Hawke’s Bay, an area known for both beaches and vineyards, estimates that a gradual “planned retreat” of fewer than 1, 000 properties over the rest of this century would cost more than $1 billion (or two billion NZD). The consultants who produced the analysis wisely ducked the question of who would come up with that sum.

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If you’ve paid attention to American politics, however, you might have some clues about who will likely end up holding the bag here. Consider the Army Corps of Engineers proposal for Galveston Bay in Texas. Sea rise and aggressive surge threaten oil, gas and petrochemical facilities around Houston, which in turn threaten the entire region with toxins in the event of a major storm. So the corps has proposed a massive barrier across Galveston Bay, along with other coastal fortifications. Two-thirds of the total cost, currently projected at more than $30 billion, would be borne by federal taxpayers, with about a third covered by state and local taxpayers. The oil and gas industry, the folks who helped supercharge the seas while flashing some truly impressive profits along the way, would owe nothing.

You can readily apply this model to the beach. The sea’s coming rampages will no doubt be portrayed as acts of God. Aside from a half-century of increasingly frantic cries from climate scientists, there will have been practically no warning. (In Virginia Beach, where the evangelical businessman Pat Robertson built his empire, God’s wrath will no doubt be attributed to the sinfulness of political opponents rather than the depredations of carbon.) With their beachfront estates under assault, our nation’s soggy millionaires will seek relief. Which politicians, many of whom use their donors’ elegant summer homes as fund-raising venues, will deny them?

The lords of the beachfront were late to the coastal real estate game. The beach was initially deemed the most useless, undesirable space on the North American continent. (Imagine rushing past the Hamptons and Martha’s Vineyard in your haste to stake a land claim in Ohio.)

In Pictures: Artist Kenzo Digital's New, Multilevel Installation Atop A New York City Skyscraper Has To Be Seen To Be Believed

The wealthy eventually realized their error. They put property markers on perpetually shifting sand, built expensive homes and called in the Army to keep their beaches from drifting away. It’s hard to see how, exactly, they will hold on to much of this sea-level paradise in the face of rising waters and carbon-charged superstorms. But it’s not hard to guess who will end up covering their losses.By Adlan Jackson / Illustration by Ian Woods Beach House is one of the last pillars that remain where the estate of old indie rock once stood — icons of a music that has been, to hear some tell it, made obsolete, hopelessly out of step with today’s internet music culture. They make sprawling albums in preference to hits, sounds that uncurl slowly rather than hooks. Yet somehow, the duo are beloved on social media: “We’re all going to be so depressed!” squealed one TikTok influencer over their latest album, “Once Twice Melody.” The comedian and Twitter luminary Jaboukie Young-White posted a 2021 Spotify recap featuring only Beach House songs; “you okay?” a fan half-joked in reply. Also on TikTok, their 2015 “Space Song” became a sensation, deployed to attach its ennui to fostered cats, rainy scenes from Korean dramas and lots and lots of crying.

They are the internet’s favorite band, I think, because their music can function both as an anonymous haze and as startlingly specific when it needs to be. Most times, the “you” in the singer Victoria Legrand’s second-person songs doesn’t seem as if it’s you, me or anyone I know. In “New Romance, ” the best song on the new album, the band is as oblique as ever. It’s secretly a song about a post-lockdown night out, but the lyrics are sewn-together images and feelings: a hawk in a black-star sky, a text message left unanswered, the words “you feel your heart break and you don’t know why.” The abstractions wash over you until, one day, that you is suddenly you. It’s Beach House’s timeless magic: the experience of arriving in Legrand’s cross hairs. I asked Legrand and the multi-instrumentalist Alex Scally about being so popular online despite not being online at all. Read More

LEGRAND: I was told last week that there were some videos of some reactions to listening to this record. I don’t know. I didn’t get to witness it firsthand. I think it’s kind of more fun knowing it exists than to be hunting it down and looking at it. There’s a dangerous narcissism that you could go to. It just sounds like people are having fun — and that, to me, means a lot, because fun is rare. Being over the top and grandiose and ridiculous and expressive and crying and screaming and all of that — I’m glad to hear about that happening. Not just with our music, just in general. Over all, this has been a time to not scale back in terms of intensity, you know, in terms of making art or music — this was not a time for us to

The 46 Best Coastal Towns In America

In Pictures: Artist Kenzo Digital's New, Multilevel Installation Atop A New York City Skyscraper Has To Be Seen To Be Believed

The 46 Best Coastal Towns In America

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Zonker46167 April 27, 2023 Comment

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In Pictures: Artist Kenzo Digital's New, Multilevel Installation Atop A New York City Skyscraper Has To Be Seen To Be Believed

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Novel Method For Rapid Assessment Of Cognitive Impairment Using High Performance Eye Tracking Technology

Animated Videos Made Easy With Videoscribe

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Types Of Animation Styles With Examples [research]

Types Of Animation Styles With Examples [research]

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